{"id":10605,"date":"2010-02-09T14:39:19","date_gmt":"2010-02-09T18:39:19","guid":{"rendered":"http:\/\/jetwit.com\/wordpress\/?p=10605"},"modified":"2010-02-09T14:39:19","modified_gmt":"2010-02-09T18:39:19","slug":"tom-bakers-interview-with-a-samurai-rabbit","status":"publish","type":"post","link":"https:\/\/jetwit.com\/wordpress\/2010\/02\/09\/tom-bakers-interview-with-a-samurai-rabbit\/","title":{"rendered":"Tom Baker&#8217;s Interview with a Samurai Rabbit"},"content":{"rendered":"<p><em><strong>Tom Baker <\/strong>(Chiba-ken, 1989-91) is now as a staff writer for The Daily Yomiuri. \u00a0We will be regularly featuring his work. \u00a0Here is his latest, an interview with the Hawaiian Stan Sakai, creator of the comic\u00a0<a href=\"http:\/\/www.usagiyojimbo.com\/\" target=\"_blank\">Usagi Yojimbo<\/a>.<\/em><\/p>\n<div style=\"width: 228px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.usagiyojimbo.com\/\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.usagiyojimbo.com\/images\/artofuy-sm.jpg\" alt=\"Usagi Yojimbo comic book\" width=\"218\" height=\"300\" \/><\/a><p class=\"wp-caption-text\">The Art of Usagi Yojimbo<\/p><\/div>\n<p>&#8220;There was the old movie theater down the street from where I lived that showed the old samurai movies, those chambara movies, every Saturday. I&#8217;d go to see the old Toshiro Mifune movies. Get-in-for-a-quarter, stay-all-day type of thing,&#8221; <strong>Stan Sakai<\/strong>, 56, said, recalling his childhood in Hawaii.<\/p>\n<p>Sakai grew up to become a comic-book artist, and in 1984, he launched a samurai epic of his own. Its main character is a wandering ronin with dazzling sword skills, a fierce sense of honor and a network of friends and enemies across Japan. <strong>Miyamoto Usagi <\/strong>is one formidable rabbit.<\/p>\n<p>A fluffy bunny wielding a katana sword may sound silly, but Sakai makes it work. His ongoing <strong><a href=\"http:\/\/www.usagiyojimbo.com\/\">Usagi Yojimbo <\/a><\/strong>series is filled with drama, pathos and well-developed characters. There are also abundant allusions to Japanese culture. The most obvious of these is that Usagi&#8217;s long ears are tied together to form a chonmage samurai hairstyle, but others are more subtle, such as a gourd flask that resembles mangaka Osamu Tezuka&#8217;s signature Hyotan-Tsugi character.<\/p>\n<p>In <strong>Usagi Yojimbo: Yokai<\/strong> (Dark Horse, 63 pp, 14.95 dollars), a full-color hardback graphic novel released in November to mark the character&#8217;s 25th anniversary last year, Usagi confronts a grotesque army of Japanese supernatural beings.<\/p>\n<p>&#8220;I love the old ghost stories about Japan. That was fun to research,&#8221; Sakai told The Daily Yomiuri by phone from California, where he lives. &#8220;For a country that&#8217;s so small, there&#8217;s so much [in the way of] ghosts and goblins and monsters around. The folklore of Japan is so rich. And not only the really horrific stuff, but also the really goofy stuff. It&#8217;s fun to draw.&#8221;<\/p>\n<p><em>To read the full story, click <\/em><a href=\"http:\/\/www.yomiuri.co.jp\/dy\/features\/arts\/20100205TDY11101.htm\" target=\"_blank\"><em>here<\/em><\/a><em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tom Baker (Chiba-ken, 1989-91) is now as a staff writer for The Daily Yomiuri. \u00a0We will be regularly featuring his work. \u00a0Here is his latest, an interview with the Hawaiian Stan Sakai, creator of the comic\u00a0Usagi Yojimbo. &#8220;There was the old movie theater down the street from where I lived that showed the old samurai [&hellip;]<\/p>\n","protected":false},"author":42,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,6],"tags":[],"class_list":["post-10605","post","type-post","status-publish","format-standard","hentry","category-articlejournalism","category-writers"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pkZ7m-2L3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/posts\/10605","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/comments?post=10605"}],"version-history":[{"count":3,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/posts\/10605\/revisions"}],"predecessor-version":[{"id":10608,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/posts\/10605\/revisions\/10608"}],"wp:attachment":[{"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/media?parent=10605"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/categories?post=10605"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jetwit.com\/wordpress\/wp-json\/wp\/v2\/tags?post=10605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}